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THEA 143: Development of Dramatic Art II

A discussion of ideas, individuals, innovations, and trends in theatre over the past 150 years.

Monday, October 31, 2005

Yerma's Sudden Ending

Yerma was interesting because, as Christopher Maurer says in the introduction, "nothing happens (p. x)." The plot can be summarized - and not even in much oversimplification - as Yerma constantly bemoaning her lack of child to her unsympathetic husband until she suddenly - and somewhat anticlimactically - kills him. The ending itself, in the last five minutes is where any actual action seems to be, and it is the death of Juan.

I have mixed feelings about this ending because while I think that it embodies the despair and frustration that Yerma feels, it happens so suddenly and without much, if any, resolving event (for the play ends simply a paragraph after Juan's death) that I feel almost like I'm left hanging. It feels like something else should happen.

At the same time, I can see that leaving the audience in that sort of limbo where Yerma's actions cannot be changed, is evidence of Yerma's concluding remark: "I myself have killed my own son! (p. 188)" There will be no resolution to her conflict of wanting a child, now that Juan is dead.

Maybe I just don't like unhappy - or at least unresolved - endings, and that’s definitely the ending that Yerma has.

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